
Share this:
- Click to share on Facebook (Opens in new window) Facebook
- Click to share on Bluesky (Opens in new window) Bluesky
- Click to share on Mastodon (Opens in new window) Mastodon
- Click to email a link to a friend (Opens in new window) Email
- More
- Click to share on Pocket (Opens in new window) Pocket
- Click to share on Threads (Opens in new window) Threads
- Click to share on Tumblr (Opens in new window) Tumblr
- Click to share on Telegram (Opens in new window) Telegram
- Click to share on WhatsApp (Opens in new window) WhatsApp
- Click to share on LinkedIn (Opens in new window) LinkedIn
- Click to share on Pinterest (Opens in new window) Pinterest
- Click to share on Nextdoor (Opens in new window) Nextdoor
- Click to share on X (Opens in new window) X
- Click to share on X (Opens in new window) X
- Click to share on Reddit (Opens in new window) Reddit
- Click to print (Opens in new window) Print
Looks like Analog Efex here. Your recent few have a graininess I associate with Tri-X, a film I used decades ago. It’s a dramatic change from the clean, crisp, otherwordly look of some of your glass as well as car work. It’s a refreshing change.
LikeLike
Yep – actually, Silver Efex followed by Analog Efex. I think I might have included a Dark Contrasts step in there, too. But in general, yeah, I’m playing with some new tools and effects and even on a car shot the result is vastly different from the usual. In this case it’s because the usual wasn’t going to work thanks to the background elements, which I couldn’t get around.
It’s fun knowing I have more options at my disposal.
And Analog Efex fucking rulz.
LikeLike