The other day I posted Grille, a close-up on the front end of a 1934 (I think) Ford. I’ve output that shot in a few different ways, looking for the best version. The original was a low-saturation take with the sign in the background taken way down in the processing phase. Here are two other iterations. First, the B/W that I think most people are going to prefer:
black and white
Portrait of the Artist as a 1934 Ford
I’ve been playing with color vs b/w iterations of shots lately. Here’s another one. First, the color: