Plumb Line x SW

Another angle on the plumb line sculpture at the Wellington Webb Building in Denver – this facing the southwest entrance. First, the basic processing output.

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Remix Friday: Shots by Brandon Tutt and Michael Pecaut

Some time back the crew here discussed the idea of remixing – taking someone else’s shot and doing your own processing thing on it. I don’t know if this will catch on, but here we go with Remix Friday.

Back at the beginning of February Mike Pecaut came to visit and we went downtown to do some shooting. I took several shots of this venue – the Buell Theater at the Denver Center for the Performing Arts – but Mike’s was by far better. I even went back to see if I could recreate what he captured, and failed. So here’s my take on the best shot of the day.

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Denver Photo Challenge: A Plane Bisects a Circle (study in film effects)

Denver Convention Center – Fujichrome Velvia 100 finish

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The DaVinci Gallery: a Study in High Dynamic Range

Lately I’m working not only on my actual camera ability, but also on better understanding the technology of processing images. Friday I spent a couple of hours in the DaVinci Machines Exhibit in Denver working on both composition and technical skills (shooting in lower light, for instance) and doing so with an eye toward how I’d be outputting the images later. Interesting results.

I bracketed everything I shot (three exposures: -3, 0 and +3) to enable composite High Dynamic Range (HDR) processing. For those who don’t know these terms (an audience that included me three months ago), bracketing is a process where the camera takes three (usually) exposures – with one slightly overexposed and one underexposed – so that the images can then be composited using image processing software (in this case, Photomatix). The result: “a greater dynamic range between the lightest and darkest areas of an image than current standard digital imaging methods or photographic methods.”

The sequence below comprises five different takes on the same raw image of DaVinci’s inclinometer. First, the basic shot, fine tuned a bit in Photoshop.

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